I've heard it from lots of people, but it still doesn't make sense to me. @Chris Geib suggested that I start a new topic and page @Bob Barnes ... so - Bob, or anyone, can you edumucate me?
If we need to brake, we do not call that turning.
Skiing the slow line fast entails using gravity to the fullest and controlling speed through turn shape
Bob Barnes said:"Good skiing means skiing a slow enough line as fast as you can, when you can."
Look at Bob’s looping gif below. Is he trying to control his speed with his turns? …or is he trying to not only minimize speed loss but to GO fast-er as he exits the turn and heads into the next??? Those are only two turns, but I know from experience he can carry that on indefinitely down the hill turn after turn while seeming maintaining that consistent speed and cadence.
What about you? Are you trying to control speed with your turns or are you seeking to carry as much or more speed out of one turn into the next (when you can)?
I always liked Bob's phrasing here, and have no issue with it, but I think many get hung up on the definition of fast, ie is it speed or velocity or what. Because clearly Bob would go "faster" if he weren't turning, ie he would get to the bottom of the hill sooner. Assuming the existence of bottom-of-hill, which from that gif isn't really clear.
The assumption he would continue to go faster if he weren’t turning is interesting. I have been in numerous clinics with Bob when while standing high on the hill he asks the participants: “What would happen if from here we just go straight and do not turn?” Everyone asserts we would just continue to go faster and faster …and someone might bring up terminal velocity. Then Bob pushes off with his poles with a good shove straight toward the trees and traverses a few feet before stalling out. Line is important!
As Bob likes to say, turning controls direction and direction controls speed.
That would seem like a minor distinction, but in the context of skiing the slow-line-fast, I think it's a very important distinction. You are free to ski your "line" as aggressively / fast as you want (or can...) because there is no way you can get going "too fast" (assuming you stay on your line).
As Chris mentioned above, pushing off straight can lead to final "speeds" of everywhere from stopped to terminal velocity. If you push off uphill, your speed is going to reduce to zero and very quickly. If you push off downhill, your speed will increase for quite a while. Turning, as Bob defines it, is all about choosing a direction to maintain a speed somewhere between "stopped" and "terminal velocity" at which you feel comfortable.
As Bob likes to say, turning controls direction and direction controls speed.
That would seem like a minor distinction, but in the context of skiing the slow-line-fast, I think it's a very important distinction. You are free to ski your "line" as aggressively / fast as you want (or can...) because there is no way you can get going "too fast" (assuming you stay on your line).
As Chris mentioned above, pushing off straight can lead to final "speeds" of everywhere from stopped to terminal velocity. If you push off uphill, your speed is going to reduce to zero and very quickly. If you push off downhill, your speed will increase for quite a while. Turning, as Bob defines it, is all about choosing a direction to maintain a speed somewhere between "stopped" and "terminal velocity" at which you feel comfortable.
I struggled with this concept for years as well, because I spent too much time parsing the words as opposed to studying the movement.
I struggled with this concept for years as well, because I spent too much time parsing the words as opposed to studying the movement.
So - if the words don't make sense to me but the movement and the feel do, maybe I should just ignore the words?
I think this may help the most of all the explanations so far.
...Usually I'm trying to control speed in one way or another, in terms of just how fast I'm headed down the mountain...
Well, I did qualify with "to the bottom of the hill."
I like my words, but they don't usually enhance our kinesthetic sense.So - if the words don't make sense to me but the movement and the feel do, maybe I should just ignore the words?