When first met this drill last year must admit I disliked it. Recently revisited this drill during a course and now it's my favorite carving drill.
This is about as good an example and explanation as I've seen.
What I can't quite figure out is why a drill that completely disengages the outside ski through the top of the turn has such a positive impact on carving. When the outside ski is placed back on the snow there's a real feeling of that ski engaging and providing a solid platform to balance against. Which seems counter-intuitive given most other drills are all about ensuring engagement of the outside ski early in the turn.
Anyone else find this drill useful and have any other insights into why it seems to work?
This is about as good an example and explanation as I've seen.
What I can't quite figure out is why a drill that completely disengages the outside ski through the top of the turn has such a positive impact on carving. When the outside ski is placed back on the snow there's a real feeling of that ski engaging and providing a solid platform to balance against. Which seems counter-intuitive given most other drills are all about ensuring engagement of the outside ski early in the turn.
Anyone else find this drill useful and have any other insights into why it seems to work?