@cantunamunch , you who are wise in the ways of science, perhaps you know the answer to what remains mystery to me.
Zeiss say of their Sonar and Clarity lenses, orange and pink respectively, that they peak at blue around 400 nm, suppress cyan and green, and peak again at red and orange. Oakley Prizm, same. On that basis, I would expect a green lens to suppress shorter-wave-length blues, oranges and reds and allow in cyan and yellow, peaking at green in between. But not so according to this transmission curve for Scott's new Amp Pro green lens:
celum.ssg-service.com
Three questions. 1. Is my premise flawed? 2. How does a Scott Amplifier lens allow a peak at green and not just at blue and orange if its tint is pink like a Clarity or Prizm lens? 3. Is there more to selective filtering of wave lengths than the colour of the dye if a green lens can allow peaks for all colours while suppressing the transitions in between? (That is, would all green lenses have a similar curve to the Scott Amp Pro, or are they doing something different?)