Balancing properly so the skis don't skid out, so that the tails follow the tips, is essential. Speed control comes from turn radius and degree of completion.
I've skied quite a bit on fairly hard snow, and probably hundreds of days on soft snow too. Experience can affect one's view point on carving. Many are familiar with the critical angle required for carving, tip your skis enough that they carve given the direction of the resultant force pushes your skis into the groove and doesn't push the skis up out of the groove. I've noticed that passing through that critical angle on hard snow is very much like an on-off switch. On soft snow, however it is much more vague.
Just say'n.....
I've skied quite a bit on fairly hard snow, and probably hundreds of days on soft snow too. Experience can affect one's view point on carving. Many are familiar with the critical angle required for carving, tip your skis enough that they carve given the direction of the resultant force pushes your skis into the groove and doesn't push the skis up out of the groove. I've noticed that passing through that critical angle on hard snow is very much like an on-off switch. On soft snow, however it is much more vague.
Just say'n.
Also, due to old knee injuries, manually pivoting my skis is a bit painful, so I get by mostly by letting the snow pivot my skis for me. Even though I'm not manually pivoting the skis much, I'm still able to affect a big difference between my short radius non-carved (using LF's definition) turns and my carved turns (mostly through fore-aft weight shift, tipping and pressure control). Again, just say'n.
I agree.I'll sign onto that^. Plus eliminating manual rotation of the skis at the start of the turn, tipping them instead.
I'll sign onto that^. Plus eliminating manual rotation of the skis at the start of the turn, tipping them instead.
This is why when you ask seemingly advanced skiers to do railroad tracks, most all introduce rotary into the maneuver.
My affirmation of "Critical Edge Angle" assumes that this angle does not involve the angle of the ski to the snow. It's the angle of the ski to the skier. Low edge angles to the snow can carve, thus the existence of Railroad Tracks.
pressuring the tips into a bend
For every action there is an equal and opposite reaction - Isaac Newton
So, does it matter which way we think about it?
Except I don't like the word "pushing" as it implies an action on the part of the skier which is likely to lead to 'exciting' outcomes.
You have to be careful with that one. If you have shaped skis and hard snow, the skis side cut will pretty much determine the radius, and attempting to shorten the turn by pressuring the tip into a tighter bend will destroy the carve. Bending the ski to the shape that its tipping angle and sidecut want it to make is what you have to do. The main job of tip pressure with shapely skis (even gs skis) is to apply enough downforce to keep the tip pressed into the snow and cutting, as opposed to smearing.Does that reduce turn radius, at least that of the forward part of the ski?
For every action there is an equal and opposite reaction - Isaac Newton
So, does it matter which way we think about it?
Except I don't like the word "pushing" as it implies an action on the part of the skier which is likely to lead to 'exciting' outcomes.
Instead of pushing I've called it "Loading the ski"
Careful weight distribution while forcing the rest of the ski through that same groove (careful to maintain enough pressure on the tip while moving some progressively rearward) allows you to cleanly carve long radius turns with straight skis with no smearing at initiation
Or it could be that your skis have tip rocker and the tip doesn't get involved until you reach a bigger edge angle.I must be smearing or skidding. I just feel I’m carving. I “feel” that the part of the edge cutting and extending a groove is tracking not what the tip started, but what the part of the ski in front of it cut. I think I’m saying, in another way, what I referred to as the effective edge. A bit after turn initiation, the pressure is further back. Where that pressure is determines what part of the edge has greatest and most significant effect. What the tip is doing, to me, seems irrelevant. But, that’s just a visualization in my head, one that is not grounded by subjective observation.